Anchor Variations Introduction

Anchor Variations Introduction

This entry is part 1 of 1 in the series Anchor Variations

The anchor is arguably the essential element of west coast swing. In your beginning classes, your instructor almost certainly spent a fair amount of time talking about the standard anchor: a triple in third foot position.

This series aims to expand your anchor beyond the basic version. A true anchor is not a specific foot position; it is a connection that occurs at the end of a pattern. So, any combination of footwork or body movement that produces the correct connection can be an anchor. This flexibility—along with the fact that every pattern ends in an anchor—makes the anchor a logical place to begin introducing variations into your dance.

In the following posts, we will create some new shapes for your anchor. We’ll also talk about when you might want to use some of these variations so you can start thinking about how to use your anchor to transition between patterns.

Before we jump in, a quick reminder: an anchor is a two-beat unit of the dance that occurs at the end of the pattern and has both partners stretching away from each other. All three of these elements should occur in every anchor variation. As you’ll see, we’ll work on two-beat variations that end with the partners stretched away from each other and ready to come in for the next pattern’s 1, 2.

Prepping Continuous Chaines Turns

Prepping Continuous Chaines Turns

All spins require a prep, in which the rotating side is held back in order to create the torque for the spin. This is easy to do for single turns, but when doing a continuous series of turns it becomes more difficult. This drill will extend the chaines turns exercise to focus on the prep.Continue Reading

Practice to Your Strengths

Practice to Your Strengths

We’ve all heard the adage, “Play to your strengths.” We understand that there are some things we do exceptionally well and it makes sense to work in a way that leverages those advantages. Yet, when it comes to practice, we tend to ignore our strengths and instead focus on our weaknesses. There’s nothing wrong withContinue Reading

Measuring the Spin Exit

Measuring the Spin Exit

This drill is designed to help you measure your movement as you step out of a chaines turn. Before practicing this drill, make sure that your chaines mechanics are solid. If you want to get some extra practice on your basic chaines first, look at the basic chaines drill. The Drill: Without a partner, youContinue Reading

Types of Patterns

Types of Patterns

Like all dances, WCS is composed of several fundamental patterns. Unlike many other dances, west coast patterns can extend or break the “rules” that make the fundamental patterns work. This gives WCS an amazing degree of flexibility but also increases the chances of moves not working on the social floor. To understand why some movesContinue Reading

Hard and Soft Accents

Hard and Soft Accents

Not all musical accents are the same. The notes in “How Long Can a Fool Go Wrong?” demand a sharp, hard movement. Adele’s “Set Fire to the Rain” calls for a longer, softer, drawn out movements. Learning to dance the same accent in either a hard or a soft way can substantially improve the musicalityContinue Reading

Fail Better

Fail Better

In a novella by Nobel Prize-winning author Samuel Beckett, one of the characters shares a thought on failure: Try again. Fail again. Fail better. When we practice, it is tempting to see failure as, well, a failure. But, truly exceptional performers know that failure is an essential part of the learning process. If you aren’tContinue Reading

Fitting Your Play Vocabulary to Music

Fitting Your Play Vocabulary to Music

This entry is part 6 of 6 in the series Playing

This entry is part 6 of 6 in the series PlayingSo far, you’ve discovered your play vocabulary and cleaned up your movements so they look good. Now that you can execute your movements consistently, it’s time to fit them to music. The Drill: For each movement that you’ve developed, do the movement without music. AskContinue Reading

Polishing Your Play Vocabulary

Polishing Your Play Vocabulary

This entry is part 5 of 6 in the series Playing

This entry is part 5 of 6 in the series PlayingIf you’ve hosted your closed-windows dance party, you should have some movements that have the potential to be good play pieces. How do you polish them so that you’re willing to dance them in front of people? The Drill: This is a solo drill. StartContinue Reading

Learning from Pro Styling

Learning from Pro Styling

Developing your own style is a challenging task. Most of us look to pros for inspiration on what our dance can look like. This exercise will help you move from inspiration to imitation, so that you can start adding elements of the pro’s styling into your own dance. The Drill: Make a list of yourContinue Reading