Practice to Your Strengths

Practice to Your Strengths

We’ve all heard the adage, “Play to your strengths.” We understand that there are some things we do exceptionally well and it makes sense to work in a way that leverages those advantages. Yet, when it comes to practice, we tend to ignore our strengths and instead focus on our weaknesses.

There’s nothing wrong with practicing weak spots. Some skills are simply essential for success in a given domain. In WCS, if you can’t do an anchor, you’re going to struggle.

But, if you spend all your time practicing the things you do poorly, you aren’t taking advantage of your strengths. Surprisingly, practice is most effective when it focuses on strong skills and builds them into world-class skills.

The claim that practice is most effective when it focuses on skills that are already strong makes sense when we think in concrete terms. Who is going to get the most out of practicing body rolls—someone who struggles with body isolations or someone who already has a great deal of body control? The person who struggles with isolations may pick up a couple of movements, but the person with body control has the ability to polish those movements into acts that stand out and catch the judges’ eyes. Likewise, a person who has a solid repertoire of footwork variations is going to get more out of practicing funky syncopations than a person who struggles with basic foot positions.

The reality is, practice time is limited. If you want to become exceptional by fixing all of your weaknesses, you’re fighting an uphill battle. If, on the other hand, you minimize your weaknesses and pour your effort into making your strengths truly outstanding, you’ll be able to leverage your existing skills to a far greater degree. Practice to your strengths.

Measuring the Spin Exit

Measuring the Spin Exit

This drill is designed to help you measure your movement as you step out of a chaines turn. Before practicing this drill, make sure that your chaines mechanics are solid. If you want to get some extra practice on your basic chaines first, look at the basic chaines drill. The Drill: Without a partner, youContinue Reading

Types of Patterns

Types of Patterns

Like all dances, WCS is composed of several fundamental patterns. Unlike many other dances, west coast patterns can extend or break the “rules” that make the fundamental patterns work. This gives WCS an amazing degree of flexibility but also increases the chances of moves not working on the social floor. To understand why some movesContinue Reading

Hard and Soft Accents

Hard and Soft Accents

Not all musical accents are the same. The notes in “How Long Can a Fool Go Wrong?” demand a sharp, hard movement. Adele’s “Set Fire to the Rain” calls for a longer, softer, drawn out movements. Learning to dance the same accent in either a hard or a soft way can substantially improve the musicalityContinue Reading

Fail Better

Fail Better

In a novella by Nobel Prize-winning author Samuel Beckett, one of the characters shares a thought on failure: Try again. Fail again. Fail better. When we practice, it is tempting to see failure as, well, a failure. But, truly exceptional performers know that failure is an essential part of the learning process. If you aren’tContinue Reading

Fitting Your Play Vocabulary to Music

Fitting Your Play Vocabulary to Music

This entry is part 6 of 6 in the series Playing

This entry is part 6 of 6 in the series PlayingSo far, you’ve discovered your play vocabulary and cleaned up your movements so they look good. Now that you can execute your movements consistently, it’s time to fit them to music. The Drill: For each movement that you’ve developed, do the movement without music. AskContinue Reading

Polishing Your Play Vocabulary

Polishing Your Play Vocabulary

This entry is part 5 of 6 in the series Playing

This entry is part 5 of 6 in the series PlayingIf you’ve hosted your closed-windows dance party, you should have some movements that have the potential to be good play pieces. How do you polish them so that you’re willing to dance them in front of people? The Drill: This is a solo drill. StartContinue Reading

Learning from Pro Styling

Learning from Pro Styling

Developing your own style is a challenging task. Most of us look to pros for inspiration on what our dance can look like. This exercise will help you move from inspiration to imitation, so that you can start adding elements of the pro’s styling into your own dance. The Drill: Make a list of yourContinue Reading

Building a Play Vocabulary

Building a Play Vocabulary

This entry is part 4 of 6 in the series Playing

This entry is part 4 of 6 in the series PlayingYou can get into play and you can return to the normal dance. Now what? This is the part of the process that is different for everyone. In short, you need to develop your repertoire of movements that fit you and your dance style soContinue Reading

Expanding Your Palette

Expanding Your Palette

This entry is part 7 of 7 in the series Coloring the Dance

This entry is part 7 of 7 in the series Coloring the DanceThis series has gone over a number of ways to add color to your dance. At this point, you know enough about coloring your basics to start exploring new ways of coloring on your own. This post will give you some ideas forContinue Reading